Posts tagged customer relationship management

Deliciously Charitable

“I like food and dreams. You can find both at Delish. I’m glad I wasn’t alone.”

– Clayton Ray

  

Photo by Cara Bailey

Breaking away from the traditional style of dining, Virgil Sadorra—known for his business ventures in this town—has taken a very different method to the reopening of his restaurant, Delish. With a buffet approach, customers file in line and fill up their plates for one flat price.

Although the restaurant has been reopened since the summer of 2010, it was just today that I (along with some friends—Clayton Ray & Chris Gosses) discovered this Charleston gem. While the setting is at first a bit out of the ordinary, the experience was certainly extraordinary, and worth the try.

Once a popular eating destination for Charleston residents for its tasty menu selections and quaint character, Delish has a new cause for attraction—the restaurant is cause-driven—the restaurant selects an area non-profit organization to donate profits to each month. Most impressively, the restaurant offers free meals to those in need—if you are not able to pay for your meal, you don’t have to!

 What a concept—not only does the restaurant donate profits to charitable causes, they also supply free meals to those in need. While the idea is not entirely original, it certainly is one-of-its-kind in our area and absolutely a business model (and marketing strategy) that is worth imitating.

At last, a positive excuse to eat.

The only disappointment to me was that there was only one other diner besides our small group. That’s why I felt the need to spread the word about Delish! For more information, read the Charleston Daily Mail news article here.

Try it out—you’ll be glad you did—and our community will be too!

 

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More Than Words – Product Packaging

We as marketers spend countless hours planning how to most effectively market retail products through both external and in-store advertising. Often, the external advertising, most commonly recognized, includes a diverse mix of traditional and nontraditional means of communication: television, radio, print, outdoor, online, etc. In-store advertising, while sometimes overlooked, can prove to be as effective or more effective (depending on the product and the circumstances) in persuading a consumers’ purchase.

What many marketers fail to consider is that oftentimes target consumers of their products may not see either type of advertising effort—we may miss the commercials or not see the promotional display in the store. So what can we do to catch consumers’ attention? Product packaging.

Today’s AdAge gives a further explanation—

“First, packaging is the only marketing vehicle that 100% of the consumers who buy your product see. Not every consumer sees the brand’s advertising or is exposed to the exciting social media that your brand is doing. But all of the consumers who buy your brand do interact with your humble package.

Second, and equally important, the package is really the only vehicle that you have 100% control over in-store. While your product can end up in the wrong location or shelved in the wrong direction, the package remains a constant, and once it has a consumers’ attention, it starts conveying your message (Black, 2011).”

While marketing of the past assumes that product packaging is only useful for “closing the sale,” the role of a product package has significantly evolved—attracting new customers and retaining current ones, communicating a new position and closing the sale.

Read further into the post —very interesting and valuable information for future retail marking endeavors!

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Emotion-Driven Advertising – IMC 612

In Lesson 1, we discuss the concept of affective interpretation (i.e., the emotional response triggered by a stimulus). Find three print ads that interest you and provide a brief description of each one (post the ads if you can). For each ad, answer the following questions: What sorts of feelings do you think the marketer is trying to elicit from consumers? In your opinion, is the ad is successful or unsuccessful in generating those feelings? Explain.

“The analysis of consumers is key in developing a marketing strategy (WVU, 2009).”

One of the fundamental steps in the consumer analysis process, as explained in the lesson, is understanding the consumer decision-making process. Recognizing how and why consumers make purchasing decisions allow marketers to more efficiently and effectively reach members of their target audience.

After making it past the exposure and attention phases of the consumer decision process, the third stage is interpretation. And while interpretation in large part is dependent upon the individual, there are generally speaking two types of interpretation: cognitive and affective. It seems that these two types of interpretation have in common the need for the consumer to feel related to/relevant to the stimuli being presented.

While through cognitive interpretation, consumers look to place things in familiar product categories as to relate better to them—affective interpretation deals with the “emotional response triggered by the stimulus (p. 10)”, which some might argue creates a more significant, deeper bond with the consumer.

We all have basic emotional needs—love, safety and security, convenience, health and money— and marketers utilize emotional appeals to activate these emotional needs. Emotions elicit a more reactive response.

All of the articles that I have chosen for this week’s assignment come from local WV publications:

Ad # 1: The first is a double truck, full color advertisement featured in the Spring 2009 issue of the WV Executive. In fact, the ad was produced by one of our competitor agencies in town – which has no bearing on the remainder of my analysis of the ad. Utilizing a blank canvas of mostly white space, the designer has suggestively placed two oranges (stem out) with a headline of “We Leave Nothing to the Imagination”. And body copy that reads “Well, okay, maybe at times we do. Freshly squeezed, award-winning creative, coupled with strategic marketing. We have the Juice. And just imagine what we can do for your company’s bottom line. Call or click. [Phone number] [Web address]The marketers’ intentions were to strike interest by using a sexual innuendo, represented by the oranges in the ad. And while the ad certainly attracted attention—it is possible that it’s not the most appropriate attention. While the theme of the ad was clever, the visual and copy didn’t seem to blend together enough to make sense. On top of that, the designer chose to incorporate the company branding in about a thumbnail’s size of the two-page spread. After looking at the ad, all that you have left in your mind is “My goodness, are those oranges are supposed to be boobs!?”

Ad # 2: The second is a full page, full-color ad featured on the inside cover of Volume II 2009 – MetroValley Magazine. The Ad Council and the American Heart Association produced the ad. The ad is designed in mostly black and shades of gray, with the exception of a petite African American woman in a yellow raincoat holding a bright red umbrella. The darkened visual displays rain, creating a bulls-eye like target around the woman—with a bold red headline of “Stroke Targets By Color”. Contrasting white body copy reads “Know where you stand. The odds of African Americans are twice as likely to suffer a stroke as white Americans. Beating the odds isn’t about winning, it’s about living. You have the power to end stroke. [Phone number] [Web address]”The marketer’s intent was to raise alarm and cause concern, through the use of an ominous color scheme, color contrast and striking image. In fact, heart disease is the number one killer in the United States. Delivering dramatic images and messaging helps to portray this fact. I feel this ad did its job in an empowering, vivid, relatable way.

Ad # 3: A WV-based full service marketing agency placed an ad in the WV Executive’s Summer 2009 edition with a direct response advertising approach. Visually, the ad features a mostly black with a faded orange color scheme, with contrasting orange and white copy. Headline reads “Yeah. There’s an agency for that.”The ad also features an iPhone 3G—which is the prize for the contest the company is promoting. You have the opportunity to take a survey for a chance to win one of the phones. The marketers in this case attempt to elicit excitement toward the agency as well as to draw a following by offering a prize giveaway.While in essence, the ad does a clever job at tying in the headline with the contest; the ad itself seems incredibly distracting and overwhelming. There is an over-abundance of body copy. Typically people skim ads for interesting visuals and pay little attention to those that have an overpowering amount of body copy—it seems too editorial and lengthy. Causing excitement usually happens more effectively with few, stimulating words and intriguing visuals. The amount of information seems to take away from the quality of the information. Perhaps they would do better to find a happy medium between length and depth.

Reference:

P.I. Reed School of Journalism, WVU (2009, August 24). Lesson One: Introduction to Consumer Behavior and Perception. Retrieved from IMC 612 on October 27, 2009 at https://ecampus.wvu.edu/webct/urw/lc5116001.tp0/cobaltMainFrame.dowebct

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The Situation – Not the Jersey Shore Kind.

Week Three – Script Treatment      

• Write a 2-3 page treatment—the treatment is the story written in text.      

• Should explain the basic story idea and plot, describe major scenes and develop main characters.    

Essentially, the script treatment provides a rough overview of the script and is stylistically similar to a short story—a summary, or synopsis of the script. 

According to one source (Scriptologist, 2006), when outlining your script treatment, you should list and describe the most important elements of your story, which are—     

a. The main conflict.   

b. The person, place, or thing that is the subject of your story.   

c. Each action sequence.   

d. The main characters.   

e. The climax, which is the confrontation between the hero and the villain.   

f. The resolution of the main conflict.   

Working title: Here for You   

Working tagline: Here…For Youth Development. For Healthy Living. For Social Responsibility…for You.   

Working call to action: Won’t you be here with us?      

      

a. The main conflict. Describe the problem faced by the characters.   

There are several initial possibilities for story conflict for the YMCA of Kanawha Valley—funding, volunteers needed, membership, overall involvement, brand loyalty, organizational teamwork and/or community involvement.At this point, the overall focus of the script is to evoke emotion and create a connection between the narrators and the viewers—to motivate participation with the YMCA.   

b. The person, place or thing that is the subject of your story. Define the subject of your story by asking yourself whether the main characters in your story experience conflict as a result of a person, place, or thing.    

The situation that is the subject of the story is the premise that without funding, support and community involvement, the future of the YMCA is unsure. The conflict arises in the need to interact with the public and motivate action toward programs and services without speaking in a desperate or needy voice. Ultimately, the YMCA must effectively communicate the importance of the YMCA in the community and for the community—and form and develop the relationships that will further the YMCA.    

c. Each action sequence. Define each main action sequence by describing the action that takes place, the location of the action, the characters involved, and the conflict.   

Overall, the conflict in the three scenes is the need for the main character to connect with and relate to the viewer by sharing personal experiences and positive associations with the YMCA. Essentially, the script is written as a PSA—an informative and engaging piece about the YMCA and its need for community support.   

  1.  
    1. For Youth Development—Child introduction, narrative with YMCA facility and programs in background. Foreground shows main character giving a 10-15 second monologue about the impact of the YMCA on their life. Scholarships and youth programs are the focus of this scene.
    2. For Healthy Living— Adult introduction, narrative with YMCA facility and programs in background. Foreground shows main character giving a 10-15 second monologue about the impact of the YMCA on their life. Coaching and sports leagues are the focus of this scene.
    3. For Social Responsibility— Senior citizen introduction, narrative with YMCA facility and programs in background. Foreground shows main character giving a 10-15 second monologue about the impact of the YMCA on their life. Community service and volunteerism are the focus of this scene.

d. The main characters. Define the main characters by describing their physical appearance, the way they interact with other characters, the role they play in the story, and their family history.    

  1.  
    1. For Youth Development—Child Narrator. Female. Age 6-8. Red hair. Freckles. Quirky smile. Missing front tooth. Funny and energetic. Single-parent family.
    2. For Healthy Living— Adult Narrator. Male. Age 22-30. Brown hair, athletic build. Attractive and charismatic. Popular with friends. Oldest of 3 brothers.
    3. For Social Responsibility— Senior citizen Narrator. Female. Age 65-75. Gray or graying hair. Soft spoken and kind hearted. Approachable, experienced and pleasant. A retired widow with 3 children and 5 grandchildren.

e. The climax. Define the climax by describing the action sequence in which your hero and villain have a final confrontation with each other. The confrontation can be a physical and/or verbal battle. (Luttrell, n.d.)    

The style of the script makes it slightly difficult to outline a definite climax.   

In relation to the YMCA PSA-style script, the climax of the script will be the introduction and process of learning the characters lives and involvement with the YMCA.   

The script will play out with each narrator intermittently sharing their stories and personal interactions with the YMCA.   

f. The resolution. Define the resolution by describing what happens to your main characters after the climax.    

Again, the style of the script makes it a bit difficult to outline a “climax” and resolution necessarily. Since the goal of the script is to inform and involve, the resolution will ultimately be in the call to action portion of the film.   

A website and phone number will be featured as methods of communication between the viewer and the YMCA. Ultimately, measurement and effectiveness can be evaluated by rate of response.

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Privacy, please!?

As with any medium, there are potential disadvantages to utilizing certain platforms for marketing, including: the possibility for inconsistent experience (online vs. offline), damage of brand integrity or reputation, not a “fit” for a particular brand, improper use/underused of medium and of course privacy/security issues.

There is a potential for failure of security in both personal and business context. Businesses and individuals alike have the possibility of being over-exposed and under-protected when utilizing social media sites—stricter guidelines could help to regulate information sharing.

And for those of you (including myself) that are avid users of the social networking site, Facebook—our privacy may be threatened now, more than ever.

Facebook launched its “Open Graph Platform” that extends the social net’s web across third-party sites—Facebook now automatically shares user data with third-party sites, as well displaying user activities on those sites in the Facebook environment.

And this privacy threat is certainly not being taken lightly—by users or by Washington.

In fact, two days after the site announced its changes, Sen. Charles Schumer wrote a letter to the Federal Trade Commission in response to the launch of new features on Facebook. Schumer said new privacy policies limit the ability of users to control how much about themselves gets shared with sites that partner with Facebook. He said the FTC should set guidelines for how social networking sites use and share private information.” Vera-Phillips, 2010

And it’s not just Facebook—a federal regulation would extend to all online advertising. Online advertising is facing the very real possibility that it will be regulated in the form of privacy legislation that would require publishers, networks or marketers to receive specific consent to use consumer data for a variety of purposes on the web.

Some 20% of online ads are targeted based on online behavior, but that’s just the beginning. A new generation of companies, including Facebook and Twitter as well as Foursquare and GroupOn, are on the cusp of a new wave of location-based marketing. It’s not about where you are or where you’ve been on the web — it’s about who you are connected to and where you’ve shopped, dined out or just browsed shelves. Learmonth, 2010

 Also from the article:

The company sits on one of the most valuable troves of user information; not just interests but human connections — thought to be the single most powerful determinant of consumer behavior. Facebook has, in many ways, been circumspect about monetizing that and generally puts the consumer experience first in everything it does. But for a company all about sharing information, it has shown remarkable clumsiness in communicating what it is doing to the public.

In fact, Facebook’s creator Mark Zuckerberg has been quoted saying that the site basically offers little to no privacy. Todd Dagres, partner at Spark Capital noted “The Facebook presumption is that privacy is not important — so if you really want privacy you have to opt-in and turn the dials to get the privacy you want. The issue becomes when people have different expectations of what privacy is.”

One former Schumer staffer told Ad Age the senator has a strong bias toward “opt-in” — that consumers should be asked before their data is used.

That said, the thought is that Mr. Schumer may determine that in the open web, there’s no expectation of privacy, and that “opt-in” presents too big a burden on the emerging online ad industry.

I’m more concerned about my rights then the “burden” it might cause to the online ad and social networking industries—as a service to its participants, privacy should be respected and rights upheld.

What do you think?

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Keeping It Real

The focus of our lesson this week was marketing via social media. Companies, following consumers are present on social networking sites now more than ever.

In fact, in 2006 marketers spent over $280 million on advertising and marketing on social networking sites in the U.S., and an additional $70 million internationally.

In light of the economic downturn, however, marketing dollars have reduced across the board. What is not slowing is the increase in market share internet marketing is taking away from more traditional marketing media. In a new report, PriceWaterhouseCoopers estimates that internet marketing with be 36% of all marketing dollars spent by 2013.

And while marketing dollars toward social media increases, many companies still lack the necessary tools and understanding of how to effectively position themselves in the growing digital environment.

In terms of Facebook, the most common mistake is whether to create a profile, a group or a fan page—in general, profiles are ideal for regular users with an individual identities and should never be for commercial and marketing purposes—and actually, this is a direct violation of Facebook’s TOS. Experts have differing opinions about fan pages versus groups. There are certainly pros and cons of each.

My boss, Skip Lineberg and I got into a brief conversation on this very topic. It is vital for companies and non-consumer entities to grasp the most valuable methods in reaching audiences on social networking sites—in Skip’s own words, they need to work on “Keeping  it Real”.

Along these lines, research for this week’s discussion post uncovered Sarah Evans’s opinion business’ online identity—

“…your online personality is not only part of your overall brand, it becomes an interactive experience for you and your business… Just as you create branding guidelines and key messaging guides, so too should you dedicate time to creating your social media personality. There are multiple combinations that you can use to increase your brand visibility and converse with your customers.”

First on the list of “do’s and don’ts”—Keeping it Real. The entirety of the list includes a list of steps companies can take to efficiently utilize their online presence:

  1. Be transparent and authentic. Be human: Social media for business is about return on engagement. Connect with people, build opportunities through dialogue which would not have otherwise occurred, then connect them with your business.
  2. A profile pic is worth a thousand tweets: A major part of your social media personality is your avatar and your profile bio. The first rule for avatars and bios is to stay consistent across social platforms. If you’re sharing information from your business account, decide whether you want your avatar to be your company logo or the face of the president. Each sends a completely different message and requires a different messaging and branding approach.
  3. Leaving a legacy: Your social media personality becomes part of your brand’s legacy. Don’t brand your personality for the day, the month or the year. This is serious stuff. What you post stays around for a pretty long time and the information (good and bad) isn’t too hard to find. This means what you share today should reinforce your brand tomorrow.
  4. Don’t be a social schizo: Multiple personality disorders do not work well in social media. If you confuse, you lose. If you are a business expert one day, a media maven the next and live news feed after that, people will ultimately stop connecting. The same concept applies across multiple networks—Keep the same personality for each
  5. Social climbing not the best approach: It makes sense to engage the “big dogs” of social media, but it’s even better to connect with other quality audiences. Spending too much time looking for the big fish may take away from an entire school passing you by. Go grassroots and begin to build your personality one social media platform at a time.
  6. It’s not a one-stop shop: There is no one-size fits all personality for your brand…social media isn’t an opportunity to reinvent a brand, but to widen the reach. People should get the same experience offline as they do online
  7. Return on Engagement: tracking traffic, RSS feeds, subscribers, fans, linkbacks

Like any other measure to expand a companies’ presence—be it online or offline, extensive research, careful planning and continual evaluation will ensure a more successful, valuable and significant execution and meaningful outcome.

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From the Showroom to Your Room – IKEA PS

Early in 2009, IKEA launched a new furniture line called IKEA PS. The objective was “to stretch the idea of design, to think about empowering people, and to minimize the impact on the world.” MobiAd News, n.d.

With such unusual designs, IKEA felt they had to do something special to help customers imagine how this furniture would fit into their houses, so they turned to a mobile “augmented reality” solution.

German agency, CLANMO won the 2010 award for the worldwide Best Mobile Marketing and Advertising Campaign by helping IKEA customers who were interested in the IKEA PS design collection to overcome the purchase barrier by showing them how to use their mobile phone, essentially as a portable interior planning tool.

Customers were able to download a mobile application by entering their mobile number into a web form on the IKEA website or send a free text message to receive a download link. Additionally Bluetooth pillars were put up in IKEA stores to download the application right there in the store. The customer now sees which piece of the IKEA PS collection fits his/her room best. GSMA, 2010

The IKEA PS Mobile Interior Planning Tool gave its customers a convenient and useful planning tool for home furnishing. The IKEA PS furniture selection is stored in the mobile application and appears on the cell phone screen when selected by the user. With the help of the phone’s camera, an image of the selected furnishings can then be embedded into a snapshot of the users’ own room to give a better sense of how it would actually look in that location. Rather than to rely on imagination and memory alone to provide some sense of how the new acquisition might look, this application allows customers to see the new objects “live” in their potential new environment.

 

MobiAd News, n.d.

The interior design application, developed for IKEA in 2009, not only was unique, but also for showed an incredible significance for the future for a much broader mobile market. The IKEA PS Mobile Interior Planning Tool was a very innovative approach that can be easily set up to use in other industries—such innovation is also associated with the innovation of the IKEA brand.

The IKEA PS made the mobile application available to consumers in three ways:

1)     In-store posters urged customers to send a free text message to IKEA to receive a link to download the application.

2)     Customers going to the IKEA Web site were able to enter their mobile number and receive a download of the application.

3)     Bluetooth pillars were installed in select IKEA stores. These would periodically send out signals to nearby mobile phones inviting the user to download the application.

The nature of the campaign relinquishes IKEA marketers from an ethical dilemma of major privacy issues. Perhaps the only concern would be with the Bluetooth pillars; however, due to the fact that the consumers receiving the messages were already those inside IKEA stores, the likelihood that these messages would be seen as overly intrusive or unwarranted is expected to be greatly diminished.

This pioneering approach allowed marketers to capitalize on a method that overwhelmingly users opted into for use. The strategy taken with this campaign enabled users to become interactive with a helpful spin on advertising—allowing for users to receive a benefit from the service, thus, encouraging a mutually beneficial relationship between the user and the brand.

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In the midst of a crisis, “Meet the Family”

Toyota announced the recall of 2.3 million vehicles…the models that Toyota has stopped selling accounted for one of every 10 new-vehicle sales in the United States in December and 57 percent of Toyota’s sales in 2009. But the recalls are hurting Toyota’s entire lineup…Edmunds.com, which publishes car-buying advice, said Friday that it expected sales of the Toyota brand to fall 75 percent while sales of the eight models were suspended. Bunkley & Maynard – NYTimes, 2010

As consumers, when our experiences outperform expectations, we get a pleasant surprise with a release of dopamine, a chemical associated with interest and happiness. But the nature of our brains is such that this boost is relatively short and mild. When our expectations are not met, a downward spiral that is stronger and longer occurs; this is one of the worst scenarios a marketer can face. Our brains unconsciously assign personality traits to organizations and brands, so this downward spiral in the brain can evoke feelings of betrayal in situations where trust has been built. Tangwall, 2010

Atop of the video testimonials of customers and employees who drive the cars that they build, limited-time discounts and complimentary extended maintenance plans— One way Toyota has moved to overcome damage that these negative feelings and emotions that have impacted the company’s reputation—humor.

In the midst of their largest recall ever, Toyota has produced a series of catchy television and viral ads for their 2011 Sienna minivan.

 

This light-hearted, comedic look into the life of a Toyota Sienna family certainly caught my attention. The commercials and videos are for “Mom and Dad”—reaching an atypical demographic with the uses of viral marketing.

Perhaps Toyota is taking notice of the growing number of non-Gen Y users on the Internet, and involved with digital media. If these statistics are any indication of the demographic shift, Toyota seems to be on the right track in reaching its target audience Smith, 2009

  • Facebook reporting nearly 45.3 million active US users in the last 30 days
  • Facebook growing in every age/gender demographic. Fastest growing segment: Women over 55, up 175.3% in the last 120 days.
  • Facebook growing faster with women than men in almost every age group. Women comprise 56.2% of Facebook’s audience, up from 54.3% late last year.
  • 45% of Facebook’s US audience is now 26 years old or older.

Companies use many public relations tactics when faced with reputational “damage control”. Certainly, these ads alone are not what will improve product quality and restore target consumer faith in the brand—but perhaps it’s a step in the right direction.

What do you think?

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Re: Unsubscribe

Expanding further on my previous discussion on e-mail marketing

I am a fanatic about e-mail spam, which I am convinced is growing by the day. Primarily, I assume from my information being shared with third-party companies when I make purchases, both on and offline.

There are certain e-mail notifications, however that I do sign up to receive (these probably account for only about 35% of my e-mail). At any rate, a number of months back I had opted in to receive e-mail notifications and updates on an online shopping site called ShopItToMe.com.

Shop It To Me is an effortless way to get the best sales on more than 700 brands. The site checks more than 100 leading retailers, from the leading department stores to chic online boutiques, for sales on women’s, men’s, and children’s clothing, shoes, and accessories—all having been determined  by preference of the site user.

I am a pretty serious online shopper—and I certainly appreciate a good deal, and being notified of discounts, sales and the like. The site effectively uses word-of-mouth strategies to get site users to invite friends to also join the site. When I was suggested to join the site by one of my close friends, it was a no brainer for me.

At one point recently, completely overwhelmed by the amount of e-mail in my inbox, I went on an“unsubscribe” frenzy. Sadly, ShopItToMe.com fell victim to my spree. Like most unwelcome e-mail, I opened them one by one to scroll all the way to the bottom in tiny fine print to find the “unsubscribe” link—hoping to be rid of the messages for good.

It was to my surprise that upon selecting “unsubscribe” from ShopItToMe.com, I was given an unsuspected “We’re sorry to see you go” message that actually offered, not to completely eliminate correspondence with me, but to postpone it—the site allowed me to decide not to hear from them for a designated amount of time. I was impressed, so much so that I did not cancel my subscription but took them up on their offer to only delay communication. This allows the company to maintain valuable database information and to keep its connection with its consumers—all at the consumers’ designation.

As was discussed in the previous post, ShopItToMe.com has upheld two crucial best practices in e-mail marketing:  senders should only send commercial email to individuals who have provided informed consent and for all third-party licensed data, a global unsubscribe mechanism should be implemented utilized methods—while utilizing creative customer relationship management strategies to maintain its connection and relationship with consumers.

Perhaps more e-mail marketers should follow the lead.

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